Richard McKinley shares some tips on where to set up and how to position your easel when plein air painting for the best painting experience.
“With the advent of nice weather, many of us find ourselves back out under the sun attempting to capture a bit of the fleeting light. A couple of weeks ago, after the International Association of Pastel Societies convention in Albuquerque, New Mexico, I was able to paint again in the beautiful northern New Mexico high desert. With its clarity of color and diversity of textures, I was reminded of why it has inspired so many artists over the years. While painting there, I was also reminded of one of most irritating issues of working en plein air: the intensity of surrounding light and how it affects the appearance of our paintings.”
